But Where There's Hope There's LifeA Collaborative Project by Health and Kinesiology Dance Program, Performance Studies, History and Visualization
COVID-19 Updates: We are going forward with performances! Due to COVID, we have altered how they will take place. We have transitioned from a fully live performance to a mostly film performance with the solo dances live. Our dancers have been following protocols to keep each other safe during rehearsals, including wearing masks and sanitizing often. During filming, dancers and crew wore masks and followed the guidelines set in place for the Rudder Theatre Complex.
For information about audience protocol, please visit the Performance and Ticketing page.
A few years ago, The Academy for the Visual and Performing Arts at Texas A&M, brought in Third Rail Productions who created a project for performance studies and dance students. It was an immersive dance theatre work that was staged in Downtown Bryan in the old lumber building. Throughout the development of this project, TAMU faculty leaders worked with students and guest artists to create a unique experience for the community. The collaborative efforts that took place with Third Rail Productions inspired the process behind this project.
This project, But Where There’s Hope, There’s Life, focuses on the Holocaust and communicating the impact and importance of this event in our history. The work comes at a time in our country where we are questioning the ideas of immigration, human rights, and civility for others. Each of the participating faculty will bring their unique expertise to the project, allowing a rich, artistic experience for viewers. The choreographers, Carisa Armstrong and Christine Bergeron, had their work Todesmärsche, an excerpt from But Where There’s Hope, There’s Life, premiere at the American College Dance Association South-Central conference. Critics and audience members alike supported the work and it was selected to be included in the Gala concert to represent the region.
The evening length work consists of nine choreographed sections that vary in group size, space, and timing. The performance includes:
- An abstraction of Hitler’s speech and his rise to popularity,
- A look at the everyday lives of people in hiding,
- Depictions of transportation to the concentration camps through the railroad system,
- Examples of daily life in concentration camps, and
- What led to liberation in 1945.
Photos by Igor Kraguljac